Frequently Asked Question about the Camera Obscura

On this FAQ page we will attempt to answer some of the questions that are most often asked in the e-mail we receive and in the discontinued guestbook. We regret that the guestbook has been closed. The abuse by commercial spammers made it impossible to maintain.

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Q. ”What is a camera obscura?” (Yes some people really ask that!)

A. Check out the page "What is a Camera Obscura" on this site.

Q. “Can you send me plans for a camera obscura?”

A. No. There are many types of camera obscuras from simple cardboard boxes with a hole in one side to large rooms with complex optical and mechanical installations. Check the links and bibliography page for useful links that may assist in the building of a camera obscura. We have preparing a Adobe Acrobat PDF file of an 1885 Amateur Work article, "The Camera Obscura: Its Uses, Action, and Construction" on building several types of camera obscuras which can be downloaded from this site. The style is a little dated but a good craftsperson should get some assistance in designing a camera obscura. We are preparing a page with guidelines for building a box camera obscura and some hints on planning a room camera obscura that will be posted as soon as it is ready. Keep an eye on the home page for the announcement of that page.

Q. “Why do you call the site The Magic Mirror of Life?”

A. We have an 1870s stereo card of the camera obscura building in Fairmount Park in Philadelphia with this title on the sign. To us this sums up the appeal of the camera obscura. The first time we stood in a camera obscura we felt the magic of the experience. The magic is not diminished by the fact that it is the real living world that is reflected on the table.

Q. “Who invented the camera obscura?”

A. Nobody invented it. The camera obscura works on a naturally occurring phenomenon. You might as well ask who invented the rainbow! Over the centuries many people made contributions to the camera obscura as we know it but all are based on the underlying optical laws that are part of nature.

Q. “Is a camera obscura the same as a pinhole camera?”

A. No. A pinhole camera is a type of camera obscura, as are all photographic cameras. The pinhole camera starts with a enclosed container (AKA the "dark room") with a very small opening to let in the light. It is therefore a camera obscura. Cameras that use an actual pinhole size aperture are used to expose photographic film or paper but have limited use as viewing or drawing devices because the light that the pinhole admits is very dim and the image would be very hard to see. Most camera obscuras are made with lenses in the aperture since this makes the image much brighter and sharper. Room sized camera obscuras are sometimes made with lensless apertures but these openings are much larger than a pinhole. We have been told that an opening about the size of a US quarter can work well in some rooms.

Q. “Why would you go into a dark room to look at the reflection of what you can see outside?”

A. We have met a number of people who just “don't get it” when we explain what a camera obscura is. Some of these people become converts to the cause when they actually stand inside the room but some never do understand. Even modern children who are blasé about technology have been heard to call out ”COOL!” when the room goes dark and and a small circle of the world appears on the table,“It's in color! It moves!” Watching the image on the table or wall is not the same as looking at the view outside. The selection and isolation of the projected image and the feeling of watching the world outside without being seen are indeed magic.

Q. “What does it cost to build a camera obscura?”

A. It can cost almost nothing if you use recycled materials like cardboard cartons and a small hole in thin material or as much as a “couple of Ferraris”, as I once read about a complex room camera obscura.

Q. “Why don't you tell me everything I need to know for my school project on the camera obscura?”

A. This is a personal web site where we can share our visits to camera obscuras and our ongoing collecting and research on the subject. We are happy if others find it of interest or assistance but can not expect it to answer all needs for all visitors.

Q. “Can you send me an e-mail answer to all my questions NOW because I have a paper due tomorrow?”

A. Sorry, this is not our full-time activity. We have many other projects and will respond to questions as our schedule allows. If you look through the site and at the links page and still have questions, please write to us and we will help if we can.

Q. “Is the plural of camera obscura 'cameras obscura' or ”camera obscuras' or even 'camerae obscurae'?”

A. Actually this is a question we have considered. If you think about it literally the first would mean “rooms dark” while the second means “room darks”. Even though it is the room that is plural and the dark is a quality not an object the second phrase seems less awkward so we have used ”camera obscuras” throughout the site.

We have been told by a teacher of Latin that the correct plural is "camerae obscurae" but he agrees that our anglicization is not as awkward.

modified 5/2007